Materials & craft

Seven materials. No secrets.

Where it grows, who shapes it and how to look after it — the full spec sheet for everything we use.

Close-up of honey-coloured solid oak grain

M-01

Jutland, Denmark

Solid Oak

Oiled, never lacquered, so it ages like a good leather jacket.

Our oak comes from FSC-certified forests in Jutland, felled in winter when the sap is low and the grain is tight. We air-dry every board for a full year before it meets a machine, then finish it with a hard-wax oil you can repair at home. No plastic sheen, no orange tint — just wood that gets better every time someone puts a mug down without a coaster.

Care

Dust with a dry cloth. Wipe spills straight away. Re-oil once a year, or whenever it starts looking thirsty.

Pale white ash wood with a straight, fine grain

M-02

Baltic region

White Ash

Pale, springy and stubbornly strong. We bend it into curves that look impossible.

Ash is the athlete of hardwoods: light, flexible and almost impossible to snap. We steam it at 100°C, clamp it around oak forms and leave it overnight to remember its new shape. It’s how the Stub Stool gets its footring and the Rung Shelf gets its rungs — one piece, no joints, no wobble.

Care

Dry cloth for everyday dust. A damp cloth with mild soap for sticky fingers. Avoid radiators and direct midday sun.

Brushed steel surface catching soft light

M-03

Brescia, Italy

Powder-coated Steel

Cold-rolled steel in colors we mix ourselves. Chip-resistant, fingerprint-shy.

A family workshop outside Brescia laser-cuts, folds and welds every steel part we use. The powder coat is baked on at 200°C in our own palette — Oxblood, Cobalt, Butter, Moss and Tomato — so a table leg and a lamp base from different years still match exactly.

Care

Wipe with a soft, damp cloth. No abrasive sponges, no solvents. Small chips can be touched up with our free repair pen.

Close-up of beige looped wool bouclé fabric

M-04

Yorkshire, UK

Wool Bouclé

A looped wool that feels like a sheep that went to finishing school.

Woven by a 140-year-old mill in West Yorkshire, our bouclé is 82% new wool with a nylon core that keeps the loops from pilling. It’s rated for 60,000 rubs on the Martindale test, which is furniture-speak for ‘survives children, dogs and the friend who always sits on the arm’.

Care

Vacuum weekly on a low setting. Blot spills, never rub. Professional dry clean only for anything involving red wine.

Honed beige travertine stone with natural pits and veins

M-05

Tivoli, Italy

Travertine

Roman stone with its own weather map of holes and veins.

Travertine forms where hot springs meet limestone, which is why every slab is pocked with tiny caves. Ours is quarried near Tivoli, honed to a soft matte and filled with a matching resin so crumbs have nowhere to hide. No two tops are the same; we photograph yours before it ships.

Care

Use coasters for wine, citrus and coffee. Wipe with water and a pH-neutral soap. Re-seal every two years.

Textured mouth-blown glass refracting light

M-06

Bohemia, Czech Republic

Opal Glass

Mouth-blown glass that turns any bulb into a small, well-mannered moon.

Each shade is blown by hand in a glassworks that has been running since 1883. A layer of opal glass is sandwiched between two layers of clear, which diffuses the light so evenly you can look straight at it without seeing spots. It takes eleven minutes and one very steady pair of lungs.

Care

Switch off and let it cool. Wipe with a microfiber cloth and a little glass cleaner. Never submerge.

Hand-thrown stoneware vessel with a matte glaze

M-07

Stoke-on-Trent, UK

Glazed Stoneware

Hand-thrown, high-fired and dishwasher-brave.

Our objects are thrown on the wheel in Stoke-on-Trent and fired to 1,260°C, which makes the clay dense enough to hold water without a liner. The glazes are mixed in small batches, so expect a little variation in tone — that’s the potter’s fingerprint, not a factory fault.

Care

Hand-wash recommended, dishwasher-safe if you’re brave. Not suitable for the oven or the microwave.

How a plinth-worthy object gets made.

01

Air-dried for a year

Every board rests for twelve months before it meets a machine. Patience is cheaper than warped tables.

02

Finished by hand

Oils, waxes and powder coats applied by people, not robots — then checked under raking light.

03

Photographed before it ships

Stone and wood are unique. We send you a photo of your actual piece before it leaves the workshop.

04

Built to be repaired

Replaceable covers, re-oilable tops, spare parts for ten years. Furniture should outlive its warranty.

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